Wing Chun – Chinese Martial Art

May 21, 2012 by VorisSalmeron

Brief History:

Wing Chun (also identified as Wing Tsun, Ving Chun or Ving Tsun) is one of the most common types of Chinese martial arts. Although its essentially an unarmed combat method, Wing Chun may contain weapons as component of its course. The origin of Wing Chun can be traced back to China, but the true history of its creation has long been a subject of considerably debate. The most credible suggestion with regards to the origin of Wing Chun dates back to 1700 AD in the Henan Shaolin Monastery.

When the Qing forces raided and ravaged the Southern Shaolin temple, a nun named Ng Mui fled to the distant Daliang Mountains, the only survivor. Ng Mui already had knowledge of Kung Fu in the Shaolin temple, which she assimilated with a new form she had learnt whilst observing a battle amongst a snake and a crane. She taught this new combat style to her adopted daughter whom she named Yimm Wing Chun. The new program was refined and then passed on from generation to generation, and was eventually named Wing Chun, after Yimm.

The modernization of Wing Chun started in Hong Kong in the course of the 1950s beneath a Grandmaster known as Yip Man. The discipline started to gain true reputation in Asia and the West when actor Bruce Lee became 1 of the most renowned Wing Chun practitioners.

The Idea of Wing Chun:

Wing Chun is based on 3 simple principles – Practicality, Efficiency and Economy of Movement.

1. Practicality: Techniques such as Palm-up Hand (tan sau), Wing Arm (bong sau), Slapping Hand (pak sau) are created to maim the most sensitive or vulnerable components of the opponents body such as throat, groin, eyes and lower torso. Many movements and methods in Wing Chun are usually meant to be fatal.

two. Efficiency: Wing Chun does not use force against force, in order to acquire the most effective manipulation of the body’s energy. It believes in accurately timed and appropriately positioned little movements, and counter-attack is based on the opponents personal force. This idea is also known as Speak to Reflexes.

3. Economy of Movement: This is a linear notion in which movements are based on an imaginary pole operating vertically via the center of the physique. The Center Line spreads out from this Mother Line, and because most of the vital points of the physique are located along the Center Line, many offensive and defensive movements are based on this line. The Central Line, on the other hand, is the shortest path among the fighters where most of the combat exchanges take location.

Wing Chun Forms:

There are three standard forms in Wing Chun:

1. Empty Hand Form: This form has 3 much more sub-types – Siu Nim Tao – the foundation of the art, Chum Kiu – concentrate on advanced footwork and entry techniques, and Biu Jee – extreme brief-range or long-range tactics, low kicks and sweeps, and emergency tactics.

2. Weapon Forms: The Dragon Pole and Butterfly Swords are the two types of weapons incorporated in Wing Chun, categorized under advanced instruction.

3. Wooden Dummy or the Muk Yan Jong Form: A dummy produced from a number of wooden posts represents a human opponent. The contraption is utilised to perfect angle, position, and footwork.

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