Bronze lotus crane square pot
This is prolapse by the Yin and Zhou semi-mythical age in spring and autumn in the early years, all social situations, and one of the spiritual and cultural truthful performance. According to the records on the In the World of Man of Huainanzi, the bronze sculpture is a mark of civilization.” Bronze lotus crane square pot of new channels of change has a profound historical background, it shows the crumbling of slavery, feudalism should shape. Artistic style reflects not only the fresh air brought about by the development of sculpture in the Eastern Zhou period, but also reflects the change of the bronze art in the aesthetic ideas of the Spring and Autumn Period. From the shape and ornamentation of the china bronze sculpture statue lotus crane square pot about by three factors.
First, the traditional week of cultural factors, the side pot from the Ode to the pot until Xinzheng Jincheng Road, and then the bronze lotus crane square pot, the pot body radiate stout elliptical square, the theme of the pot body pattern are a two dragon-shaped pattern, while the petals is from the Western Zhou Dynasty china bronze sculpture statue three-dimensional ring with shaped ornaments evolved; second is the Jin Dynasty and cultural factors, pot top legislative crane, apparently by the late Western Zhou Jin bronze bird-shaped top the impact of ornaments; One troop was sent to the ridge of Saichan city (now the border of Jing County of Hunan Province) to get the bronze. Chu cultural factors, expensive, both sides of the dragon-shaped ears and attached to the pot bottom of the tiger-shaped foot with the tomb of the dragon ear tiger foot square pots similar and Xichuan Temple Chu Tomb, Shou Cai Hou Tomb of the Dragon ear tiger foot square pots, should be subject to the latter affect.
The body of a long neck, hanging belly, pot belly full coil decorated with dragon decoration, layout, balanced symmetry, tangled coiled ring clear milk joints. Pan Chi pattern, the intertwining of misplaced priorities, interspersed up and down, surrounded by extended, seems to strive for a general dynamic equilibrium. This bronze belonged to an ancient nationality in China while the south is Baiyue. The ampullary full decorated Pan Chi pattern. It is one of the decorative patterns on bronzes. Popular in the Warring States. Pan Chi pattern, referred to as Chi Man, “text”: “Chi, if Long Huang, north-called land of Lou”. Also said some of the ancient dragons dragon. The bronze statue pattern in the Chi and some angular, some angle, the latter more. More than in the bronze ornamentation as the theme for the mouth, capuchin, Qu Chi form. To the interface between the continuous Chi pattern, decorated with artifacts on the neck or abdomen.
The abdomen four weeks to cling to a three-dimensional small mammals, and upper abdomen before and after each of a set of intertwined beast. Ampulla of the maximum diameter of the flat lower part of the entire vessel, which is good to increase the stability of the whole device. The Siyu to volts beast instead of Fei edge the fourth beast song Gu Looking back, curled corners, angle-side differences, shoulder wing and and stay long tail. In 219 BC, first Emperor of Qin finally pointed his bronze toward Baiyue. Around the four animal with wings. In the West, animal wings do not care, but in China! Bronze lotus crane square pot is the first time. Pot bottom ring foot, two volumes under the pressure of the tail beast, two animal suddenly stretched corners of the mouth speechless doing all they can to supporting weight as the victorious pressure of the like.
The body of the decorated with lots of dragons, wings with a single step of the ornaments are lifelike, ready to come. Mr. Guo Moruo had the pot to be very high marks, he said: “the pot body are strong Strangeness of the traditional flowers, tempting the oppression of the nameless, almost suffocation. He sent troops to battle to get the bronze angel, branching out in five columns. Week parallel columns is in the lid of the petals, two-story, plant design, in the Qin and Han former, as I only see the one case of complex legislation in the center of the petals of a fresh master of white crane, Cheung its wings, a single one of foot, microgap pecking for want Ming the like, I that industry is one of the spirit of the times symbol. this crane the early breakthrough in ancient times, Hong Meng, pace back and forth of the irresolute full blog arrogance, and trampling on the tradition of its at the foot of the higher flying and wish to make.
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